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Grönlund-Nisunen - Unstable Matter
(Source: vimeo.com)
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Manfred Mohr
Work from one and zero @ Carrol / Fletcher.
“All my relations to aesthetical decisions always go back to musical thinking, either active in that I played a musical instrument or theoretical in that I see my art as visual music… I was very impressed by Anton Webern’s music from the 1920s where for the first time I realized that space, the pause, became as important to the musical construct as the sound itself. So there are these two poles, one and zero. - Manfred Mohr
one and zero, Manfred Mohr’s first solo exhibition in London, presents a concise survey of his fifty-year practice. Harnessing the automatic processes of the computer, Mohr’s work brings together his deep interest in music and mathematics to create works that are rigorously minimal but with an elegant lyricism that belie their formal underpinnings. Through drawing, painting, wall-reliefs and screen-based works, the show examines the artist’s practice through the prism of music and the idea that what is left out is as important as what remains.
(via i like this art)
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Douglas Gordon The End of Civilisation 2012 (film still)
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Joseph Beuys
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Charlotte Prodger
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*swoon*
Prélude - Étude Op. 3, No.2 of 4 by @sougwen
Music: Tim Hecker - The Work Of Art In The Age Of Cultural Overproduction
“In Prélude, light is projected onto an angular form, following an abstract narrative. Beginning with an initial beam of light, ( order; a central and clear point of origin), shifting into multiple beams in space ( disruption), transforming into an organic current ( direction; forming identity /movement), and resolving in shattering prisms ( dissolution; ecstatic form).”
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on and on and on on and on
Karlos Cárcamo
via ArtCat
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(via @willsimn)
Drawing Apparatus by Robert Howsare
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“Like a 3-D take on Jackson Pollock, the latest work by the artist Martin Klimas begins with splatters of paint in fuchsia, teal and lime green, positioned on a scrim over the diaphragm of a speaker.”
via (via Painting With Sound - Slide Show - NYTimes.com)