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A sound art and music blog.
Submissions welcomed.

  1. 9 March 2013

    3 notes

    • Tommi Grönlund - Petteri Nisunen
    • marbles
    • ocean sounds
    • art
    • cp

    Grönlund-Nisunen - Unstable Matter

    (Source: vimeo.com)



  2. 14 December 2012

    2 notes

    • Manfred Mohr
    • art
    • music
    • visual music
    • cp
    Manfred Mohr
Work from one and zero @ Carrol / Fletcher.
“All my relations to aesthetical decisions always go back to musical thinking, either active in that I played a musical instrument or theoretical in that I see my art as visual music… I was very impressed by Anton Webern’s music from the 1920s where for the first time I realized that space, the pause, became as important to the musical construct as the sound itself. So there are these two poles, one and zero. - Manfred Mohr
one and zero, Manfred Mohr’s first solo exhibition in London, presents a concise survey of his fifty-year practice. Harnessing the automatic processes of the computer, Mohr’s work brings together his deep interest in music and mathematics to create works that are rigorously minimal but with an elegant lyricism that belie their formal underpinnings. Through drawing, painting, wall-reliefs and screen-based works, the show examines the artist’s practice through the prism of music and the idea that what is left out is as important as what remains.
(via i like this art)

    Manfred Mohr

    Work from one and zero @ Carrol / Fletcher.

    “All my relations to aesthetical decisions always go back to musical thinking, either active in that I played a musical instrument or theoretical in that I see my art as visual music… I was very impressed by Anton Webern’s music from the 1920s where for the first time I realized that space, the pause, became as important to the musical construct as the sound itself. So there are these two poles, one and zero. - Manfred Mohr

    one and zero, Manfred Mohr’s first solo exhibition in London, presents a concise survey of his fifty-year practice. Harnessing the automatic processes of the computer, Mohr’s work brings together his deep interest in music and mathematics to create works that are rigorously minimal but with an elegant lyricism that belie their formal underpinnings. Through drawing, painting, wall-reliefs and screen-based works, the show examines the artist’s practice through the prism of music and the idea that what is left out is as important as what remains.

    (via i like this art)



  3. 7 September 2012

    105 notes

    Reblogged from
    hydeordie

    • douglas gordon
    • turner prize
    • piano on fire
    • art
    • cp
    hydeordie:

Douglas Gordon The End of Civilisation 2012 (film still)

    hydeordie:

    Douglas Gordon The End of Civilisation 2012 (film still)



  4. 30 August 2012

    11 notes

    Reblogged from
    spicio

    • Joseph Beuys
    • art
    • sculpture
    • instrument
    • cp
    spicio:

Joseph Beuys

    spicio:

    Joseph Beuys



  5. 20 August 2012

    15 notes

    Reblogged from
    bestiario

    • Giuseppe Chiari
    • score
    • avant garde
    • art
    • cp
    bestiario:

(via Giuseppe Chiari (1926-2007) - Partitura, 1985 - Arte Moderna e Contemporanea - Cambi - Casa d’Aste in Genova)

    bestiario:

    (via Giuseppe Chiari (1926-2007) - Partitura, 1985 - Arte Moderna e Contemporanea - Cambi - Casa d’Aste in Genova)



  6. 16 August 2012

    1 note

    • charlotte prodger
    • art
    • sculpture
    • sound
    • boombox
    • fiction
    • cp
    “Used Photocopier” at Hotel

Charlotte Prodger

    “Used Photocopier” at Hotel

    Charlotte Prodger



  7. 12 July 2012

    6 notes

    • Tim Hecker
    • Sougwen Chung
    • art
    • ambient
    • origami
    • ap

    *swoon*

    Prélude - Étude Op. 3, No.2 of 4 by @sougwen

    Music: Tim Hecker - The Work Of Art In The Age Of Cultural Overproduction

    “In Prélude, light is projected onto an angular form, following an abstract narrative. Beginning with an initial beam of light, ( order; a central and clear point of origin), shifting into multiple beams in space ( disruption), transforming into an organic current ( direction; forming identity /movement), and resolving in shattering prisms ( dissolution; ecstatic form).”



  8. 22 May 2012
    • karlos carcamo
    • art
    • photo
    • cp
    on and on and on on and onKarlos Cárcamo via ArtCat

    on and on and on on and on
    Karlos Cárcamo
    via ArtCat



  9. 29 March 2012

    2 notes

    • drawing
    • vinyl
    • sound
    • art
    • ap

    (via @willsimn)

    Drawing Apparatus by Robert Howsare



  10. 27 February 2012

    5 notes

    • Martin Klimas
    • ap
    • art
    • painting
    • sound
    • visualization
    “Like a 3-D take on Jackson Pollock, the latest work by the artist Martin Klimas begins with splatters of paint in fuchsia, teal and lime green, positioned on a scrim over the diaphragm of a speaker.”
via (via Painting With Sound - Slide Show - NYTimes.com)

    “Like a 3-D take on Jackson Pollock, the latest work by the artist Martin Klimas begins with splatters of paint in fuchsia, teal and lime green, positioned on a scrim over the diaphragm of a speaker.”

    via (via Painting With Sound - Slide Show - NYTimes.com)



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