Distance & Desire - Legendary Hearts
video by Benjamin Portas
August - Future 3
When I was a young boy, I put on Stockhausen or Albert Ayler, and I said, “I hate this music. I hate it! But what is it? Who are these people and what the hell are they doing?” I don’t feel our young people get that feeling anymore, or when they think about playing jazz, they’re really thinking about idiomatic certainty. Jazz equals walking bass, drum set, chord changes, a particular kind of voicing. But it’s all a known space. If I knew what it was about then I wanted to go to something else, because I came to see that music wasn’t about just style. What attracted me to the discipline of music was this component that I couldn’t understand, but I could sense, in every kind of music. It helped me to see how little I knew about music. It also helped me to learn humility, because whatever you can do there’s always someone who can do it better. There’s always someone in a different idiom who can do something that pushes my buttons and makes me want to work harder because I’ve been inspired.
- Anthony Braxton
Rushup - The Tuss
Charlie Feathers “Can’t Hardly Stand It” (2:47)
(Recorded in 1956 at King Studio in Cincinnati, Ohio)
This is my box - notes.scraps
Forerunner Foray - Shabazz Palaces
Javelin Unlanding - Bill Callahan
video directed by Hanly Banks
via It’s Nice That
Resignation of a President - Allmyheroesdiedinprison
"This was made (with love) from “Farewell to White House Staff” as found on the b-side of the 1974 Capitol lp Resignation of a President.”
Nixon resigned today, 40 years ago
Researchers at MIT, Microsoft, and Adobe have developed an algorithm that can reconstruct an audio signal by analyzing minute vibrations of objects depicted in video. In one set of experiments, they were able to recover intelligible speech from the vibrations of a potato-chip bag photographed from 15 feet away through soundproof glass.
Reconstructing audio from video requires that the frequency of the video samples — the number of frames of video captured per second — be higher than the frequency of the audio signal. In some of their experiments, the researchers used a high-speed camera that captured 2,000 to 6,000 frames per second. That’s much faster than the 60 frames per second possible with some smartphones, but well below the frame rates of the best commercial high-speed cameras, which can top 100,000 frames per second.
“We’re recovering sounds from objects,” he says. “That gives us a lot of information about the sound that’s going on around the object, but it also gives us a lot of information about the object itself, because different objects are going to respond to sound in different ways.” In ongoing work, the researchers have begun trying to determine material and structural properties of objects from their visible response to short bursts of sound.